Reviews

on Chandos Singers' collaboration with American Opera Theater in Handel's Jephtha

" this is a powerful, often provocative presentation of an extraordinary work. ... The chorus produced a smooth blend and shaped lines with care. ... Adding immeasurably to the performance was the sensitive work by the Ignoti Dei Orchestra of period instruments.... And presiding over the score with her usual fluency and grace was Handel Choir artistic director Melinda O'Neal.

Tim Smith, The Baltimore Sun Clef Notes, May 1, 2010

on Handel Choir's Messiah

"Sensitive singing was ... an attraction at the performance of "Messiah" by the Handel Choir of Baltimore at the Church of the Redeemer, a venue with very clear acoustics and just enough reverberation. ..."

"I've said several times before that Melinda O'Neal has done wonders with the choir .... [T]he ensemble offers considerable polish and musical responsiveness; texts were sung with admirable articulation."

"O'Neal's introduction of a fine period instrument orchestra into the annual "Messiah" presentations (and other programs) continues to pay off. There was a combination of transparency and warmth in the orchestra's sound on this occasion, providing a dynamic foundation for the vocalists."

"Given the presence of that period band, you might expect O'Neal to take consistently zippy tempos, but the conductor was almost leisurely much of the time, as if determined to prove that historical authenticity in baroque performance need not mean breathlessness. Her spacious shaping of the music proved highly effective."

"Another plus was the stylish, well-matched solo vocal quartet — smooth-toned soprano Katharine Dain; countertenor Ian Howell, whose remarkably ripe sound and powerfully communicative approach hit the spot; tenor Steven Brennfleck, who offered equal portions of elegant and dramatic phrasing; and bass Craig Phillips, who produced vibrant sparks."

     —   Tim Smith, The Baltimore Sun Clef Notes, December 14, 2009

on Handel Choir's performance with Baltimore Chamber Orchestra

"Two sacred pieces by Mendelssoh found the BCO and Handel Choir collaborating smoothly, eloquently."

     —   Tim Smith, The Baltimore Sun, October 20, 2009

on the Handel Choir's O Eternal Fire concert

"Melinda O'Neal has steadily and rapidly honed this formerly uneven ensemble into quite a potent chorus. The Handel and Bach program … found the singers maintaining solid intonation, clarity of articulation and sensitivity to the shape of phrases. There was a telling sign early on of how much O'Neal has done for the group — the firm, colorful way individual voices started off the contrapuntal flurry of the Alleluia in Handel's Coronation Anthem, "The King shall rejoice." That was the kind of detail that would not have been so beautifully realized in the pre–O'Neal days that I experienced. Two Bach cantatas received dynamic performances from the choristers, who were backed stylishly by a period instrument orchestra. … It was a thoughtfully constructed, entertaining program delivered with an informed sense of historic style.

     —   Tim Smith, The Baltimore Sun Clef Notes, November 10, 2008

on the Handel Choir's collaboration with the Baltimore Chamber Orchestra

"Handel Choir artistic director Melinda O'Neal took the podium for the Five Mystical Songs by Vaughan Williams.… O'Neal was adept at bringing out the unmistakable inner glow that animates nearlly all of his music and that flows with particular power in this score.… The chorus, which sounds more confident and cohesive every time I hear it, demonstrated admirable sensitivity."

     —   Tim Smith, The Baltimore Sun Clef Notes, October 20, 2008

on the top fifteen classical music concerts of the Baltimore/Washington 2006-2007 season

In Tim Smith's review of the 2006-2007 classical music season, the Handel Choir was one of fifteen "highest-highpoints." Smith stated, "the Handel Choir of Baltimore, Pro Musica Rara, Peabody Renaissance Ensemble and Baltimore Baroque Band collaborat[ed] on a vivid, vital performance of Handel’s Ode for the Birthday of Queen Anne, elegantly conducted by Melinda O'Neal."

     —   Tim Smith, The Baltimore Sun , June 19, 2007

on the Handel Choir of Baltimore's performance of Haydn's The Creation

"The turnout — and the performance level — reaffirmed the strides the ensemble has been making in recent years. … Melinda O'Neal, the choir's artistic director, shaped Haydn's wonderfully descriptive music with an ear for drama and flow. Her choristers were attentive to subtleties of articulation, phrasing and balance. The orchestra of period instruments … played with vibrant color. The guest soloists brought vocal refinement and eloquence of line to their assignments." -

     —   Tim Smith, The Baltimore Sun , May 1, 2007

on the Handel Choir of Baltimore's Courtly Splendor concert:

"an excellent orchestra for Ode to Queen Anne. … Handel Choir director Melinda O'Neal conducted the performance with a natural rhythmic flow and attentiveness to dynamic shading. I don't remember hearing the choir sound so technically poised, so warm and balanced in tone. O'Neal's stewardship, which began only in 2004, has obviously been great for the organization, in its 72nd season."

     —   Tim Smith, The Baltimore Sun , March 27, 2007

on the Handel Choir of Baltimore's Mozart Birthday Celebration concert:

"The Handel Choir of Baltimore ... added its voice to the celebration of Mozart's 250th birthday with an interesting, vibrantly delivered program. … The chorus … delivered a disciplined, smooth-toned account of Mozart's Coronation Mass, with contributions from expressive guest soloists."

"In her second season as artistic director, Melinda O'Neal has been a boon to the ensemble, which had been on shakey musical ground. She essentially rebuilt the choir … and that effort paid off nicely on this occasion."

     —   Tim Smith, The Baltimore Sun , March 7, 2006

on the Handel Choir of Baltimore's Mozart and Haydn concert:

"… in a particularly inspired move, O'Neal decided to supplement the chorus with an orchestra of period instruments, providing a touch of historical coloring and perspective. … O'Neal gave the music a firm, underlying pulse while deftly drawing out contrasts of mood and emphasis."

     —  Tim Smith, The Baltimore Sun , May 9, 2005

on the Handel Choir of Baltimore's Bach and Handel concert:

"Melinda O'Neal, in her debut as artistic director and conductor … drew appealing intimacy and clarity from these forces … This was historically informed, but never dry, music-making. O'Neal's sensitive, assured approach yielded its own rewards, and, above all, served notice that the Handel Choir is in very good hands."

     —   Tim Smith, The Baltimore Sun , December 21, 2004